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Cultural Appropriation EP

by Nyentek

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1.
The sun rises over a beautiful yard My neighbors quiet as the dead How many lives were lost to “secure” this land Stolen by deceitful means years ago The beauty of our spaces dwarfed By incomparable greed for wealth Means mistaken for an end Surely a way to stop living Cultures destroyed by the quest for wealth I live next to a graveyard Yet I’m not haunted by bad dreams I don’t need to live with synthetic dyes And I don’t need to catch dreams I don’t plan to steal Funny how so many who claim faithfulness Worship idols of rectangular means Adopt the faces of those their ancestors once slaughtered Claiming it’s “all in good fun.” Cultures destroyed by the quest for wealth Needless to say, this harms our health Cultures destroyed by the quest for wealth Needless to say, this harms our health So tell me, how would you feel If you spent your life fighting unjust peoples Only to pass away And have those peoples’ children wear your face on a shirt No amount of investment in sports or betting Means you deserve to appropriate another person’s face How can it be real that a white man wears a headdress Shouts down a Native American man The white man claiming his garb as sacred Although its origin lies in the people who fought against white settlers Cultures destroyed by the quest for wealth Needless to say, this harms our health Cultures destroyed by the quest for wealth Needless to say, this harms our health Cultures destroyed by the quest for wealth Needless to say, this harms our health Cultures destroyed by the quest for wealth Needless to say, this harms our health
2.
Some holes Gape so wide They can Not be filled I see One so big It’s not Visible When I Point it out People Ask me, “what?” “Don’t you Love this country? Can’t you Show your support?” “I think not,” I reply When its form Fills my eyes Country is a big Illusion built by masters Used to silence us Those whose minds are clear Enough to see what happens Behind the curtain We are told to keep Quiet with our gross dissent Can’t be healthy, no Come on, just let things Continue as they have been Perfect for rulers Not so perfect for people Whose livelihoods depend on Work both mental, physical Our opinions not present On the table of debate Why does history become A story of rich, white men Whose lives don’t even relate To the 99%?
3.
Lines as straight as arrows Colors bright as dye Harvested from beaten backs Scorched in fields so lush Shapes emblematic as much As they conjure images A glorious past once shared A massive illusion of collective proportions For whose lives was this blood shed? From whose backs were these lines dyed red? Stars gather in a constellation Contained within a box so tight Inspire us to venture far without Never once to look within If we search behind our image Becomes cloudy and murky Whose idols are now worshiped? Whose ideals have been stripped? For whose lives was this blood shed? From whose backs were these lines dyed red? For whose lives was this blood shed? From whose backs were these lines dyed red? Centuries ago we must have banded together To fight, though perhaps not with much joy A common enemy we had, to be sure Although our convictions likely lacked vigor When an invisible enemy far away Appears to be a convenient scapegoat The ruling class may prophetically profit By coercing the masses toward armed conflict For whose lives was this blood shed? From whose backs were these lines dyed red? For whose lives was this blood shed? From whose backs were these lines dyed red?
4.
Its glorious form, no, better yet, carcass Sits by the dock of the bay, no better yet, lies Purpose as cloudy as the waters upon which it sits Promises unfulfilled for the disadvantaged peoples inhabiting it This idle warship sits heavily armed While public institutions meant for learning Turn into prisons, their teachers’ hands tied Slaves to the system of corporate control Job security as flimsy as Jello Evaluations tied to student scores Achieved or coerced by standardized tests Engineered by private companies To cripple our system of public education Save all the money for our big guns Whose makers line pockets of all the rich sons Their experience will never be on front lines But still they’ll pretend that they risk their lives Ask why the classrooms have dearth of materials It’s because these are “failing” schools And our government’s laws choose to punish the losers Rather than bring them up to speed Cripple our chances to level the field Give our tax dollars to privatized yield If a politician argues for educational choice You can bet that they’d silence your voice I can’t stand for this idle warship Its turrets aimed not at foes but our solidarity Abusing teens in cities with no job options Throw away their lives to serve interests of the wealthy I won’t stand by this idol worship Cast down this flag flown for manipulative means This rallying call to arms I won’t lift Deep in my heart now exists an open rift

about

All music created by Nyentek from mid-March to April 6, 2018. Album art by Tamara (www.instagram.com/selfconscious_couscous/) and Nyentek (www.instagram.com/NyentekArt).

The cover of this EP contains a picture of a Chicago Blackhawks sweatshirt produced by the NHL.

Here you may read Chief Black Hawk’s surrender speech from his defeat and capture in 1832:

I fought hard. But your guns were well aimed. The bullets flew like birds in the air, and whizzed by our ears like the wind through the trees in the winter. My warriors fell around me... The sun rose dim on us in the morning, and at night it sunk in a dark cloud, and looked like a ball of fire. That was the last sun that shone on Black Hawk... He is now a prisoner to the white men... He has done nothing for which an Indian ought to be ashamed. He has fought for his countrymen, the squaws and papooses, against white men, who came year after year, to cheat them and take away their lands. You know the cause of our making war. It is known to all white men. They ought to be ashamed of it. Indians are not deceitful. The white men speak bad of the Indian and look at him spitefully. But the Indian does not tell lies. Indians do not steal.

An Indian who is as bad as the white men could not live in our nation; he would be put to death, and eaten up by the wolves. The white men are bad schoolmasters; they carry false books, and deal in false actions; they smile in the face of the poor Indian to cheat him; they shake them by the hand to gain their confidence, to make them drunk, to deceive them, and ruin our wives. We told them to leave us alone, and keep away from us; they followed on, and beset our paths, and they coiled themselves among us, like the snake. They poisoned us by their touch. We were not safe. We lived in danger. We were becoming like them, hypocrites and liars, adulterous lazy drones, all talkers and no workers...
The white men do not scalp the head; but they do worse—they poison the heart.. Farewell, my nation! ... Farewell to Black Hawk.

Quoted from Howard Zinn’s A People’s History of the United States, pages 130-131


Fun fact: the power chord was popularized by Native American Shawnee guitarist Link Wray.

credits

released April 9, 2018

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Nyentek Chicago, Illinois

An “adventurer in electronic sounds-poetry” whose music is “mind-bending, at times blissfully bizarre.”

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